Richard Wright, guitarist with Correcto, has won the Turner Prize ... with a return to beauty. Painting that is all over the wall, and painting that is soon all over. The ephemerality of the painting is fundamental to its beauty, the fleeting beauty of that which passes. Reminiscent of Oscar Muñoz's painting with water there is a poignancy in that which is made to not endure, the intensification of the experiential, such that it must be fully consumed by the senses as the mind is always already aware that this is a fleeting immersion ... somehow a counterpoint to Jorge Otero-Pailos' wall castings, the dialogue with the wall, the direct engagement. In Wright's case to always be painted over, in Otero-Pailos's to be a momentary embrace which yields the trace.